We create

Not About Everything

Eva Faché

Daniel Linehan created Not About Everything in 2007 in New York shortly before moving to Brussels. It meant his international breakthrough and he has continued to perform his solo to this day.

He reflects on the creation and it’s meaning from today’s perspective:

I made Not About Everything as a young artist in a world with an abundance of information, in search of an answer to the oft-repeated question “What is your work about?”. Any attempt to define this felt like a limitation. The pieces I had created up to that point were about a million things, sometimes in a span of ten minutes. What do I want to talk about?

My answer is a dance. A dance that starts with words. The cadence of sentences triggers a loop of circular movements. And a dance that asks questions as well. What is the value of a piece and what impact does it have on me, the audience and the world outside the theater? The answers work their way through my body and find expression in movement and sound. In all my creations, sound plays a crucial role. The vocal cords are as important as any other muscle and dance continues into words that in turn evoke new movements.

In the solo, I come to an essence by clearing out layers of text and movement, tangible but unspoken.

Allowing unrestricted associations, letting movement lead to sound that again culminate in dance, and coming to a core in that multiplicity, is a process that is in all my creations. Everything that crosses my path influences me and manifests itself in dance. The inspiration and impulses come from different dimensions in space and time but dance brings everything into the present. This paradox is at the same time the nature of our lives.

In Not About Everything, I dismantle space layer by layer with my body, from the outside in. I spin in the here and now within a complex and hyperactive world to the rhythm of phrases and movements at shifting tempos. The whole cycle is a process of letting go of extra weight until only a core remains. The piece can also be seen as a reaction to the multiplicity and imperative of news, opinions and hypes. It has the energy of resistance.

In dance I want to let memories, ideas, facts, and dreams play and interact.
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April 2007

12/04/200720:00 StrasbourgCEACC

May 2013

September 2013

13/09/201320:00 SeattleVelocity Dance Center

November 2013

13/11/2013 StockholmMDT
14/11/201320:00 StockholmMDT

June 2014

October 2014

28/10/201418:00 ConstantineInstitut Français (Temps Dansé)
30/10/201418:30 AnnabaInstitut Français (Temps Dansé)

November 2014

02/11/201417:30 TlemcenInstitut Français (Temps Dansé)
06/11/201419:30 AlgiersInstitut Français (Temps Dansé)

April 2015

August 2015

22/08/201519:15 Hédé-BazougesThéâtre de Poche (BONUS)
23/08/201515:30 Hédé-BazougesThéâtre de Poche (BONUS)

September 2015

30/09/201521:00 CharleroiLes Ecuries (Charleroi Danse)

November 2015

February 2016

March 2017

24/03/201720:00 AntwerpDE SINGEL (Bouge B)

September 2017

November 2017

October 2018

December 2018

June 2019

22/06/201922:00 Rilleux-La-PapeStudio de la Velette (CCNR / Festival Cocotte)

September 2019

August 2020

21/08/202020:30 LeuvenSTUK

November 2023

20/11/202319:00 ParisMusée de l'Orangerie
20/11/202320:30 ParisMusée de l'Orangerie

December 2024

January 2025

20/01/202518:00 BrusselsBozar

Creation, Performance Daniel Linehan
Original lighting Joe Levasseur
Dramaturgy Juliette Mapp

Co-prodution Dance Theater Workshop (New York, USA)
Residency Movement Research (New York, USA)

Eva Faché
Eva Faché
Eva Faché
Eva Faché